Kaikhosru Sorabji to Philip Heseltine 35 (28 April 1922)

 

28 April 1922.

 

My Phee:

 

Michaud consents to act as agent for Orr’s songs on a 50% Basis of commission. I’ve got that in writing from him so you can fire ahead. I’m the only person who has 40% but I’m naturally a “privileged person” (!) being the first and he having such a batch of my work. Keep discreet on this matter.

 


He says he wants £5000 more capital to extend the business – and as he’s an excellent straight creature – a vastly superior breed to the filthy old Kling or the equally poisonous old Volkert he deserves what help one can give him in the way of milking the moneyed ones. You had much better do all your future work with him as I’m doing and don’t be bled by Augener on whom I piss.

 

It would be an idea to interest Gerald Cooper in the L[ondon]. and C[ontinental]. as a possible purchaser of shares. Sound him on the subject. He, Michaud has weathered a very bad year and has faced the opposition of Augener who announced their intention of smashing him forthwith.

 

 

[Cover of Sorabji's Trois poemes, published by London and Continental Music Publishing in 1921] 

He says it is his idea to get a body of musicians of quality round him like me and to make a circle of producers of good work. If we could get half a dozen or so people to take 500£ of shares each - - - - but . . . – how to get them to do it! - - - - -

 

Your adoring

 

Gote

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Kaikhosru Sorabji to Philip Heseltine 36 (19 June 1922)

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Welcome! and introducing the blog

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This blog relates to the research project and book Kaikhosru Sorabji's Letters to Philip Heseltine (Peter Warlock) ed Brian Inglis and Barry Smith (Routledge 2020). During 2022 - from January to July, specifically - excerpts from the edition will be posted here. These posts reflect the texts of letters sent from British-Asian composer, pianist and writer Kaikhosru Sorabji (1892-1988) to his friend and colleague, the musician Philip Heseltine - better known by his pseudonym Peter Warlock (1894-1930) to the date, exactly 100 years on. Thereby giving a sense of the rhythm of the correspondence (initiated in 1913) as it drew to its close, and the gap between then and now.  The complete transcribed correspondence (based on a manuscript in the British Library) is contained in the said book, with footnote annotations, contextual documents and an extensive introductory and interpretative essay. Available from Routledge in hardback, paperback and eBook formats. https://www...
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